Mateo Kingman belongs to the new generation of Latin American musicians. He mixes deep and essential lytics with an avant-garde, eclectic, production that explores synths, beats and root melodies.

In his new sonorous stage and as a composer he presents an intense research that builds his plot with different threads: the contemporary urban song (trap, hip hop and elements of electronic music) and traditional melodies of Latin America, influenced by the ikaro songs of the world of shamanism and the accentuated use of synthesizers, resulting in a new and hypnotic tissue.